Keith Cummings

Keith’s pieces are often made from a number of different elements and techniques, and involve other materials like silver, copper and bronze, either within the fused glass or as fabrications.

Colin Reid

‘Open Eye’ is a current work exploring movement and depth of colour strata as it melts and flows into a form. ‘Still Life with Books’ shows Colin’s interest in working with familiar forms in cast glass, playing with reflection and refraction and seeing the everyday object in an exceptional way. 

Chang Yi

 Chang Yi’s style is uninhibited and free-spirited; he bestows his work with boundless possibilities and looks to literature and Zen Buddhism as his creative guides.

Loretta Yang

Loretta has devoted her life to the art of glass for more than three decades and in the process has revived the ancient Chinese technique of glass casting and instigated the contemporary glass art movement in Asia.

Richard Jackson

Richard’s sculptures begin as impressions, observations, and ideas, these are recorded through drawing, writing and photography, the first physical laying down of memory.

Sally Fawkes

Sally’s glass sculptures present explorations of ‘complexity’, the notion that everything is part of a continuous system of interactions, with unknown possibilities always emerging.

Jackson Fawkes

Richard Jackson and Sally Fawkes in collaboration.

The collaboration brings a third voice, embracing joint ideas and expressions, a different point of view which gives a challenging and harmonious synergy to our collaborative artworks.

Bruno Romanelli

Bruno’s work investigates the relationships between Form, Colour and Light with glass. Within these themes, geometry, symmetry and harmony are explored to create technically complex pieces that belie their simplicity.

Karen Browning

Karen’s work references Claude glasses used by 17th century landscape painters such as Claude Lorrain and the use of black mirrors as scrying devices. 

Angela Jarman

Angela’s recent inquiry has been into crystal and rock growth, gems and precious stones. The pieces that have evolved from this have the appearance of huge gemstones - their textured interior spaces may be radiant or elusive, their tops suggestive of banded agate. 

Fiaz Elson

Fiaz investigates form and volume to communicate and respond to the material but also to create tension and contradictions.

Joseph Harrington

Joseph interprets landscapes through exploration of material. He focuses on rugged coastlines, looking at erosion as a spectacle of discovery and generation of form, revealing a sense of the history and movement of a place.

If you have any further questions regarding purchasing an artwork please contact the Museum in the Park on 01453 763394.

Alternatively you can email us at museum@stroud.gov.uk.